At 76 I take stock of following my own path for over 50 years of painting privately and without fanfare.

There are recurring technical idée fixe throughout; Variations either in series Ossias for Dancing is my most complete exploration of that, or within a painting Song to the Dancer II. Text most completely in La Lecture or fluidly in Pohádka 8. Landscape as a starting point as in  Echoing Paths. Persistently I use number permutations Eye Music being the earliest Small Mechanisms the most outré and European Pastorals the most accomplished. 

Much of this shows the influence of music and how it is structured which is central to so much of what I do.

I can explain the technical process behind the work, but it is hard to verbalise the ideas I struggle with. Therefore I work quietly, slowly and with much hesitation.

Give it time and it might grow to like you!